Tag Archives: near death experience

For Her Eyes Only

My tenth horror/supernatural thriller/suspense novel, ‘Dead Eyes,’ focuses on a jilted bride who develops the ability to connect with the victims of a murderous, deranged psychopath at the moment of their demise. She literally sees and experiences what they are going through. This unfortunate twist, combined with a fresh sensitivity to other souls left behind after death, overshadows her attempts at recovery from a true annus horribilis.

The character of Gillian Crane was a delightful protagonist to write. Born into privilege, yet from a down-to-earth family, she has struck out on her own to seek independence and build a new life. When that new life falls apart after her supposed wedding day, Gillian faces the challenge of returning home single with her tail between her legs. This adds to the inner turmoil caused by those aforementioned paranormal experiences.

Readers of previous works sometimes comment on how much they enjoy the ‘friend’ characters in my books. Deborah Rowling, Gillian’s bestie who she met after moving to Hampshire, will no doubt delight in a similar fashion. Banter between the pair buoys up what could otherwise sink into a morbid and depressing tale.

I usually write antagonists who are complex and multi-layered, rather than cartoon villains. Simon Sloane, AKA ‘Banjo,’ continues that tradition. This insane child turned adult serial killer spirals further into madness as the story rolls on. There were two specific challenges to address here:

FIRST: A key component in his unravelling life is the misremembered perception of past events. For a novel written in the third person, I had to take that classic device, ‘the unreliable narrator,’ and fiddle with it to offer the reader clues that what they are being TOLD happened during his youth, may not be entirely accurate. The important issue is to neither confuse people nor make them feel cheated once the truth is revealed. Hopefully there are sufficient giveaways to arouse suspicions that Banjo’s memory is skewed according to a false narrative regarding his sister.

SECOND: Because Banjo’s mother is also insane and treats him with constant rage and contempt, it was important the audience not develop too much sympathy for the guy. Like many ‘wicked people,’ he’s a mixture of light, shade, physiology and breeding. The sickening actions he takes against innocent victims in vicarious vengeance over his departed sibling, should be enough to distance anyone from the tormented aspects of his obvious and all-pervasive mental illness.

When it came to locations, Hampshire and Buckinghamshire provided ideal main settings. Gillian grew up in Great Missenden, the daughter of a self-made multi-millionaire father and society dame mother. After moving away, she sets up home in a rented garret above a gallery in Alresford, a short distance from Winchester. As with previous works, I’ve incorporated many real-life locations, some genuine businesses and events (albeit used fictitiously) plus local English history and culture. These are woven together around a plot that moves from the mundane and believable to switch gears and ramp up the tension.

From Halloween to Christmas, horror and heartbreak, to ghosts, gore, good friends, old souls in limbo, a warped villain and multiple mysteries (plus the world’s most adorable spaniel); you’ll find it all wrapped up with a neat bow at the end.

Dead Eyes’ will be available in Paperback and Kindle formats from 5th December. The Kindle version will release at a mega-discount price for the first few days. Anyone who pre-orders the title is guaranteed to receive this price.

The Power of Where

One joy of writing a book that crosses multiple historical timeframes whose events spatially intersect, is the ability to double-down on locations in a way that adds poignancy to the story.

While ‘The Shackled’ features a central narrative of primary events occurring in 2019, there are side-stories with additional characters in various places from 1815, 1914-1918, 1941-2018, 1985-2005, 2008-2019 and 2016-2019. In the interests of my readers’ sanity, I’ve labelled these to avoid confusion.

Locations include: Rochester, Chatham, Folkestone, Maidstone, Barham, Selling, Gravesend – (Kent), Middle Woodford – (Wiltshire), Bath – (Somerset), Gateleigh – (Fictitious Devon village), The Western Front (Belgium), Aylesbury, Bridechurch (a fictitious estate based on Belmont in Kent, but not set there) – (Buckinghamshire), Danbury – (Essex), Fernhurst – (West Sussex), and London.

Several locations feature in more than one of the side stories. The first is the Great Lines Naval Memorial in Chatham, visited by Andrew Miles and Sally Nelson.

The second is the Step Short Memorial Arch in Folkestone. This stainless steel construction marks the top of ‘The Slope,’ where First World War soldiers embarking on ships for France and Belgium from Folkestone harbour shortened their stride for the downhill march. In 2019, our central character Samantha Riley walks past it on her regular strolls along The Leas. By this time, the memorial has been constructed. In the tale of Peter Haws (who goes off to fight on The Western Front), we see him receive the command to ‘Step Short’ at the point where the arch would later be built.

All the characters are present in one form or another for the modern day showdown along The Esplanade in Rochester.

As I mentioned in another article, the central characters visit Rosalind Layton’s stately home of Bridechurch from 1815, at the end of the book in 2019.

‘The Shackled’ will be available in paperback and Kindle formats from 19th September. It’s also free to read for ‘Kindle Unlimited’ subscribers.

I wrote about the relevance of the old song ‘Over the Hills and Far Away’ in a previous post that included a nice instrumental version. It’s a piece which has featured many lyrics over the years. In the book, I’ve used a verse and chorus from the 1815 version for accuracy:

Courage, boys, ‘tis one to ten,
But we return all gentlemen,
While conquering colours we display,
Over the hills and far away.

Over the Hills and O’er the Main,
To Flanders, Portugal and Spain,
King George commands and we’ll obey,
Over the hills and far away.

Here is a beautiful modern rendition with updated lyrics based on a similar time frame.

Setting the Tone

When it came time to look at suitable cover art for my latest novel, ‘The Shackled,’ I made the unusual choice to go with a predominantly black and white theme. Anyone who knows me, is aware I avoid purchasing books with black and white covers, unless I have a strong urge to delve into their contents. There may be many artistic reasons to employ such a medium, but to my mind it suggests boring, arty-farty lit-fic with unreadable purple prose and very little story. An unfair generalisation, but enough to cause me to pass over clicking the ‘buy now’ button on more than one occasion. There are always exceptions.

Thus it came as quite a wrench to make myself use black and white for the new book. Yet, somehow it suits the story. Okay, there’s some minor colour on the text. I couldn’t go full ‘two tone,’ or I’d never sleep at night. Take one look at how colourful my other covers are, and you may appreciate why.

‘The Shackled,’ is a book about extremes of light and dark; the dangers of all-or-nothing absolutism in thought, belief and action; tensions between spiritual forces for good and evil; and the drab, formless existence of being stuck in limbo after death. Not your typical jolt horror fare, nor overtly creepy or gory. After the bloody splatter-fest of ‘Maypole,’ this novel is rather tame. The central character, Samantha Riley, has come back from a Near-Death Experience with a gift for helping shackled souls cross over to the light. Samantha’s new abilities estrange her from a strict religious family, which provides an undercurrent of tension throughout. Add to that a formless spiritual entity seeking to oppose her (and something far, far darker with designs on walking this earth in robes of flesh), and there’s ample conflict. Marbled in between the central narrative, you’ll find additional tales about the lives and deaths of other characters, who’ll eventually come together at the climax and resolution.

It’s odd then, that the book is ultimately about hope beyond the despair of grief and separation from the people and things we hold dear.

The story premise which acts as an overall organising principle is this:

‘You can love the past, but you will only move forwards and free yourself when you learn to let it go.’

Way back when I wrote ‘Maria’s Walk,’ there were strong elements of a central character wrestling with Post-Evangelical withdrawal to what is effectively religious addiction. I know some readers had a hard time with that, and would have preferred more frights and chills with less introspection. My next three novels took faith largely out of the picture, focusing on creepy entertainment value instead. With this fifth book, the subject matter lends itself so easily to religious conflict that the story would have been empty without. I’ve kept things open enough at the end to allow readers to form (or maintain) their own individual views. Ultimately it’s nothing more than a work of fiction, though it draws on heavy research into Near-Death Experiences, and many years personal, first-hand experience of how religious bigotry can rip families asunder. If you read the book, see how Samantha is treated, and utter: “That would never happen,” then I’m sorry to say: You’re wrong and it does. A heart-breaking truth.

If you’re looking for something supernatural but different, with many intersecting characters and stories woven together into the whole, you’ll find ‘The Shackled’ available in paperback and Kindle formats from 19th September. It’s also free to read for ‘Kindle Unlimited’ subscribers.