Well, it’s about that time again, Folks: the release of another novel.
As a child at a small Kent primary school in the 1970s, country dancing classes were a regular part of our curriculum. Weaving together a new tale that folds in a lot of different folklore about Maypoles and their origin has been a great joy. These traditions are found across Europe and consequently travelled to the new world. I’ve examined associations from the Axis Mundi to dubious claims of phallic symbolism and everything in between. In the book, I draw out links with Yggdrasil and Norse mythology upon which to ground the mythos that leads to the inevitable, dramatic climax. And what a climax it is. I had a lot of fun with this one; not least of all because I got to blow stuff up. There are chases, escapes, a helicopter crash, Demonic imps manipulating children in a state of temporal flux, and an inter-dimensional showdown with a mythical spirit dragon. All that wrapped in a love story sitting on a theme of loss and transience that dispels the illusion of permanence. Phew!
If you’ve not read any of my work before but enjoyed titles like ‘The Magic Cottage’ and ‘Creed’ by the late, great James Herbert, you might find this story entertaining. However, if the magical environments, energy blasts and multi-dimensional transforming monsters of those books gave you a problem, ‘Maypole’ probably won’t be your cup of tea either. I know some people prefer tales of a more subtle nature and are quite concerned with their horror feeling ‘believable.’ I understand that, and like a well-written, subtle ghost story myself. What’s scarier than something so very close to the everyday, yet just beyond it in a way that feels like it might happen to you? Great stuff. However, I also enjoy outrageous fantasy horror (albeit set in the real world) with pace, action and heart. That’s more along the lines of my work in the genre.
For readers of my previous books: if you loved the magic battle at the pond in ‘Nevermere,’ then this new title should be right up your street.
As with its predecessors, ‘Maypole’ will be available in Paperback and Kindle formats.
Over the last week I’ve been forcing myself away from the computer. One of those counter-intuitive but necessary moments of space writers sometimes need.
Another first draft in the bag, I decided to replace a few garden fence panels and give the entire span a few coats of paint. Whenever I conduct an activity like this, I can’t help but make a mental connection with Mark Twain’s classic work, ‘Tom Sawyer.’ I imagine most people who grew up with the book will never forget that iconic scene where Aunt Polly forces Tom to whitewash the fence rather than go off to play. In a stroke of pure genius, he manages to not only get all the neighbourhood kids to paint the thing for him, he markets the idea in such a way they offer up their treasured items to pay him for the privilege. Either I need to work on my interpersonal and child exploitation skills, or I’m too much of an introvert. Yes, I painted the thing myself.
With nicer weather now present, I’m dividing the next couple of weeks between early morning gardening and later edits on the upcoming novel. As a true Heinlein disciple, I didn’t stop working during the fence episode of course. Outlining on the next book began once the manual labour was done each day. Robert Heinlein’s six rules are the bread and butter of how I tend to work, and they always serve me well. Technically of course, only the first five are his rules. The sixth is often added by commentators as a logical progression in this blueprint for success as a prolific author. In many ways ‘Start working on something else,’ is simply a way of re-stating rule number one: ‘You must write.’
- You must write.
- Finish what you start.
- You must refrain from rewriting, except to editorial order.
- You must put your story on the market.
- You must keep it on the market until it has sold.
- Start working on something else.
Every season has its fun and excitements. One thing I missed when I lived overseas, was the rhythm and variety of English seasons. Sometimes we underrate our temperate climate.
At this time of year with the blossoms coming through, warmer days and the freshness of new life in the air, it always makes me feel like a child again. There’s a certain thrill and anticipation at this turning point away from the cold, grey, dark winter days.
Here in my beautiful market town on the Swale in Kent, abundant life is shooting forth. Each morning (reasonable weather permitting) I like to take a stroll before settling down to work for the day. I have several variations on a favourite circular route, which inspired those of the lead characters back when I wrote ‘Maria’s Walk.’
This morning I happened upon a glorious Magnolia tree. My ageing phone camera didn’t do it justice, but I still thought it worth sharing the image. I’m having an ‘odds and ends’ day: spring cleaning, tweaking the website and performing basic household maintenance. It marks a pleasant respite from the manic schedule I was on to get the new book ready to fly, over the last month.
By next week I should be into outlining the fourth novel in greater detail, ready for drafting to start in April.
Whatever you’re up to, I hope you have a peaceful week. One with an opportunity to enjoy nature at her finest, clothed in the breathtaking garments of spring.
It was a joy to use the Cotswolds as a setting for my second horror novel, ‘Nevermere.’
I first went to this beautiful region as a child, and have been a regular visitor ever since. A keen walker, its array of interlocking sheep hills, little rivers and charming woodland valleys always lifts my spirits. Whether I’m spending a week or more renting a cottage or just a few days on a short break, the effect is ever one of rejuvenation. It’s a place I know extensively and have spent time in every season.
I always break into a smile after responding with authority to a request from a tourist for which local knowledge is essential. The typical look of incredulity when their follow-on question about how long I’ve lived there is answered, never ceases to disappoint.
Over the years I have witnessed the Cotswolds become ever more popular. The downside is that – like many pretty rural communities up and down our land – it has been the target of second home purchases by the wealthy. Well-heeled incomers have turned village locals into gastro-pubs, many of the houses sit empty of year-round residents, and local youngsters have zero chance of owning a home in the place they grew up. It’s such a talked-about topic, that I thoroughly enjoyed making my protagonists encounter these experiences first hand. The character of Bob Faringdon was especially a joy to write. It has been my pleasure to meet many wonderful, old-school Cotswold locals. ‘Nevermere’ is even dedicated to one-such chap, who grew up in a village where I rented a cottage for five years.
If you’re interested in some real-life, regional ghost stories, this is a good place to start.
Should this blog post or my second book inspire you, the Cotswolds is a fine choice for a holiday or mini-break destination. If you’ve never visited, I highly recommend it. But, please allow the region to leave its mark on you, rather than the other way around.
At this season, I always enjoy a re-read of Charles Dickens’ classic ghost story, ‘A Christmas Carol.’ In fact, you will often find me wandering past a former inn he used to frequent, on my way to Canterbury Cathedral for the carol service. During the long wait – necessary if you want a seat – I immerse myself once again in the yuletide tale of Ebenezer Scrooge and his spooky, yet heart-warming journey to become a better man.
Dickens produced this beloved novella in 1843. It has never been out of print since. From the preface to his readers, we know we are in for a delightful ride:
‘I have endeavoured in this Ghostly little book to raise the Ghost of an Idea which shall not put my readers out of humour with themselves, with each other, with the season, or with me. May it haunt their houses pleasantly, and no one wish to lay it.
Their faithful friend and servant.
In the first stave, he gets right into the plot without any flannel:
‘Marley was dead: to begin with.’
One of the most iconic story openers in history, for my money!
However you choose to celebrate the holiday season, I wish you and yours a time of peace, plenty and wellbeing. To those of you who have followed this site since its inception a couple of months ago, or even those just joining in, I appreciate your taking the time to read this. An extra special thank you goes out to readers who have purchased either of my first two indie horror novels. A third is well into the outlining stage. Writing will commence at pace in the New Year.
Merry Christmas, Folks!
‘Nevermere’ opens with an ‘Ordeal by Water’ witch trial during the English Civil War in 1644.
While the rest of the book is set in the present day, repercussions from this action impact on the modern inhabitants of a small, Gloucestershire village. For the opening scene, I wanted to get a very genuine feel for the setting. The reader only spends one chapter in that timeframe, so it needed to stand apart.
At first, I found myself writing in ‘Thees’ and ‘Thous’ to such an extent that it became an unwieldy caricature. This is a technique used to comic effect in several films. I adore the Disney production of ‘Hocus Pocus’ and watch it every year. There we have three witches from 1693, who – thanks to a spell – come back to life in 1993. To create a definite sense of two timeframes colliding, the witches all speak in (what writers sometimes call) ‘Bygonese.’
It was after re-reading my own first chapter, I knew that wasn’t going to work in a more serious, chilling tale. So, I decided to read up on historical linguistics. It was during this research that I learned nobody was still using ‘Thee’ and ‘Thou’ in everyday speech much after 1600. Studies of diarists of the period – like Samuel Pepys – proved quite enlightening. So too were several articles by academic authorities on old speech.
So it was that I came to re-write the opening with more generic language. I added common terminology and salutations from the era like ‘Goodwife’ or ‘Goody’ and so forth. The result is a chapter that is a lot easier to read. It conveys an atmospheric setting without the language becoming intrusive or lunging into cartoonish parody.
‘Susan Blackwood. You have been found guilty via ordeal by water of the crime of witchcraft. That you did send out your spirit to attack Goodwife Parsons in an act of maleficium has now been irrefutably established.’
I’m sure you get the idea.